# A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
Page 01 | Page 02 | Page 03 | Page 04 | Page 05 | Page 06 | Page 07 | Page 08 | Page 09 | Page 10 | Page 11
Fox Legend (1991) Directed by: Wu Ma

Walking in the path of A Chinese Ghost Story, co-star of the Tsui Hark produced classic co-stars and direct this very evident imitation hindered by limitations such as budget but also imagination. Wu Ma is Hunt King who's after a family of fox demons who are after a family seal that will help a god to reincarnate. Headed by a vicious mother, one of her assistants is Snow (Joey Wong) who falls in love with the son of the family holding the seal. I don't condemn familiarity if done with some finesse and although Wu Ma delivers fun sights of the fox demons true shape and fantasy battles, the pedal to the metal approach isn't coming through like it needs to. It's all fun but a few notches to slow but kudos for bringing back his famous rap from said classic. Smells of wearing your intent on your sleeve but during this brief stretch, the fun AND energy comes through.

Fractured Follies (1988) Directed by: Wong Chung

80s rom/com that possesses the ability to weave in every wacky plot strand conceivable except for the romance between stars Chow Yun-Fat and Joey Wong, until very late. Still, we have learned not to expect much refined storytelling or plotting from this kind of movie and the era it's from either. Some of Chow's other comedy vehicles such as The Diary Of A Big Man comes a lot more highly recommended though but Fractured Follies becomes fairly enjoyable, for the moment anyway. Plus, Chow and co-star Joey Wong look good together and some of the comedy, in particular Nina Li Chi's scene stealing performance, works to a pleasing degree. Also with James Wong, Wong Yat-Fei and Wong Ching.

Buy the DVD at:

Framed (1989) Directed by: Alex Cheung

KENNETH'S REVIEW: A little return to form for Alex Cheung (Cops And Robbers) but one that would come almost at the tail end of his directing career to date. Simon Yam plays Cheung, a former cop that's newly released from prison and out for revenge on the one he thinks framed him. It's no other than department loose cannon Rambo (Alex Man) and through Cheung's trickery, Rambo is charged for a murder he didn't commit. Ray Lui is the sole cop on Rambo's side and starts to uncover a conspiracy having to do with these framed cops...

Yam looks well in the zone as the very prison-worn cop with a love for his diseased mother but showing up in some weird, overly apparent clothing that announces his evilness whether he intended it or not, Framed does goes on some odd tangents not associated with the best of Alex Cheung. However a very watchable and gritty intensity steers the flick too, especially in regards to the Mang Hoi directed action, whether it's Yukari Oshima's martial arts or the gunplay he's called upon to do. The second half looses a little focus and shows why it's the Yam/Man presences that does wonders for Cheung as the comedic asides with the fairly useless cops in the departments doesn't work within the context of it all, however much it tries.

Freedom Run Q (1992) Directed by: Allen Fung

Cops Chang (Alfred Cheung, also writer and producer) and Albert (Lawrence Cheng) both go undercover but end up busting each other trying to rid the world of the drug angel dust. Instead the duo are forced to work together and one of the hottest trails in taking down the angel dust suppliers starts with a slightly kooky martial arts troupe. Within all this a mix up occurs between Tien Chi powder, angel dust, martial arts instruction manuals and an angel dust instruction manual. Wanting to flee to America, troupe member Chou (Yvonne Hung, who performs an admirable amount of her own stuntwork) is the one who ends up with the criminal loot and finds herself hunted...

Allen Fung demonstrated in In Between Loves a slight art in making very contrasting elements gel and certain similar train of thoughts can be found in Freedom Run Q. Priding himself more on the unpredictable, the buddy cop comedy formula is never as interesting as the wild ideas. Casting clownish and geeky presences in each buddy role if you will, that's a major misstep that bores/grates more than anything. But quirky inclusions with definite charm are evident when presenting the odd martial arts troupe and particular their old master (who thinks he's got more powers than he actually has). Even better are Fung's intentions when he cranks up the shootout ending to supernatural levels as one of the villains goes through a transformation after being electrocuted in a tub of liquid. It's of course also a sign of your movie being disjointed but unexpected frames are also signs of wild originality at play. Also with Elizabeth Lee and Bill Tung.

A Friend From Inner Space (1984) Directed by: Ricky Chan

Little Hsiao Chi (Leung Jun-Git) encounters friendly ghost Chien Jen (Sek Kin) and with his help Hsiao Chi might be able to pair up his parents Maggie (Josephine Siao) and Joe (Ti Lung, sporting a black cowboy hat in almost every scene) again. Shaw Brothers comedy of their latter, more mediocre production years so this potentially sweet and pleasant tale registers flat and annoying instead. Considering the talent on display, you can definitely put forth the theory that the filmmakers within the studio had stopped caring. Sek Kin and his kid co-star does show sincerity but it's effort wasted. Also with Nat Chan, Walter Tso (in his trademark inspector-wear), Elaine Kam and Wong Wan-Si.

Buy the DVD at:

Friendly Shock (1988) Directed by: Cheung Chi-Yung & Mau Wa-Kei

Despite being all over the map as it features an erotic scene, stunts and blood squibs, Taiwan's Friendly Shock is largely aimed at children. A mushroom like, tree trunk creature is awakened after being brought home from an expedition and the son (Siu Ban-Ban) becomes its friend. Presenting no threat and taking on human form partly, it gets a taste of life by tasting alcohol and cigarettes before the adults threats its existence due to its tree sap or transparent blood having healing power. Surprisingly restrained comedy-wise, the dual directing them keep matters very cute. The single line of dialogue by the creature Yia Yia on repeat will make you kill yourself though but Friendly Shock is an actual decent kids movie, for almost all its moments.

From Riches To Rags (1979) Directed by: John Woo

Poor Ricky Hui ends up winning the lottery and goes on a spending rampage. After what turns out to be a false doctor diagnosis telling him he's got cancer, he ditches everything and asks a debt ridden gambler to hire assassins to wipe him out. Oops...

If Follow The Star could on a minor level be considered John Woo's first, early flirtation with guns, From Riches To Rags would represent his descent into the dark. However it's more bizarre, twisted darkness and questionable humour that takes center stage during the wild, chase finale that takes stars Ricky Hui and Johnny Koo into a mental hospital with the patients running amok. Before this surprising turn of events, Woo as expected go up to amusing level on the slapstick measuring stick but as with Money Crazy and Follow The Star, there's a pleasant tone to all this, very much unique for its time as Hong Kong comedy cinema had a momentum that can't be replicated today unless you do a tribute to the old days (i.e. Wai Ka Fai's Fantasia). Sam Hui provides another fine, uplifting ditty and co-star Johnny Koo would go on to receive an award nomination in the capacity of cinematographer for his work on Long Arm Of The Law. Melvin Wong (a hell of a snooker player), Lam Ching Ying (also co-action director) and To Siu Ming (cast for the timely Drunken Master parody) also appear.

From The Highway (1970, Chang Tseng-Chai)

A village is terrorized by bandits, led by Iron Guard but stranger He (Peter Yang) steps in to save the day. Meaning this is a common template as a springboard for violence, some martial arts and bigger battle imagery towards the end. While below 80 minutes, it takes its time and feels very slow and internal. The pending battle seems to be on hold for a good portion but about half way in but director Chang shows there's vision present to provide tension and decent camerawork for some of the stylistic flourishes. It helps some of our leading- and supporting actors look very iconic during these moments as well, making From The Highway a quickie with some impressive facets.

From The Same Family (1995) Directed by: Jonnny Lee

Johnny Lee (A Day Without Policeman) wants the handle the modern day gangster movie aspects with some form of depth and as almost always, it really is there for the taking. You do need to flash some form of skills and creativity though, something very absent from Lee's work on From The Same Family. Centering on the rise and fall of Roy Cheung's character, with a little spirituality thrown in, Lee's at times manic style distracts more than it is a benefactor. He tries to sell as this as efficiency but it creates even more distance from characters we early on guess won't be much to care for anyway. The triad lifestyle is an endless cycle and that's how From The Same Family feels too. Also with Hilary Tsui, Jimmy Wong and Lam Man-Lung.

From Vegas To Macau (2014) Directed by: Wong Jing

Awful from beginning to end, Chow Yun-Fat's return to being under the watchful (or rather ill) eye of Wong Jing was a hit in 2014 and at the time of writing has sparked an incredibly successful 3D sequel and an announced third movie. Largely unrelated to the God of Gamblers universe, Chow is the sole performer showing a broad spark that can be spoken of with any kind of fondness. The energy is at times infectious and even some of Wong Jing's gags linger due to being inspired. But that's some, during a 90 minute running time that tries a lot. Chief offender being over the top antics from Chapman To who is a large reason for the failure at hand here but Wong Jing has no gas in the tank to make the humour click in 2014. He may be working with one of his past performers but the whole affair is a flatline one. Action-wise there's way too much focus on rapid editing and tight framing which nullified any promising choreography and the only setpiece that comes off as anywhere near noteworthy is a break in into Chow's mansion with bear traps etc ready to go. Also with Nic Tse and Hui Siu-Hung.

Page 01 | Page 02 | Page 03 | Page 04 | Page 05 | Page 06 | Page 07 | Page 08 | Page 09 | Page 10 | Page 11