# A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
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To Love Ferrari (1994) Directed by: Ricky Chan

All over the map of moods, even the most die hard, desensitized Hong Kong cinema fan often appreciating/accepting contrasting content being flung at them would have a difficult time with To Love Ferrari. The majority of the time a story of dreams, Ferrari or Siu Mun (Vivian Chow) dreams of being a singer and to own the titular car. Raised by her older brother Sam who runs a nightclub, he tries to protect her from the bad eggs of our world. I guess he forgot to watch out for the dopes as Bill and Columbus (first WTF-sign of the movie) fight over her love. Literally and of course it leads to Siu Mun being pushed into a jukebox and going blind in the process (as these things usually go). Right. Furthermore, she's given a stab at a recording career as setup by the idiot duo and then there's drug dealers hovering in and around Sam's club. It leads to a kidnapping situation where Siu Mun and her friends kung fu-dance their way out of the situation, followed by more melodrama and the tally of songs (around 6 or 7 and to give props, the beats are infectious during said kung fu-dance scene) by Vivian Chow of course means this illogical madness is an excuse to make a very long MV. Even going as far as mixing it into Dolby, any attempts at a serious fall and rise story with distinct characteristics is lost underneath the mighty silly randomness of moods that for once doesn't charm. Capping it with a concert scene where the fans are as energetic as SLOW zombies (and about 20 in total), by the end the filmmakers just want quickly out of there. Maybe if they were trying to send up melodrama and action movies, the ill logic would've totally worked in their favour.

Buy the DVD at:
Yesasia.com

Tom, Dick & Hairy (1993) Directed by: Peter Chan & Lee Chi-Ngai

image stolen with permisson from lovehkfilm.com

UFO had begun raking in the money by this point and with this light, star-filled relationship comedy, the success wasn't grinding to a halt. Tony Leung Chiu-Wai is Tom, set to marry Joyce (Jay Lau) but finds himself lusting for clubgirl Cat (Ann Bridgewater). Dick (Tony Leung Ka-Fai) changes girls every night but he keeps coming back to Fong (Anita Yuen) and perhaps will realize too late the actual comfort he feels with her. Hairy/Georgio Mao (Lawrence Cheng) struggles to attract love of any kind, even doubting his own sexuality and he engages in a relationship with Michelle (Michael Chow).

Defined types and while all solutions aren't all neat and happy, much that happens is to be expected so Tom, Dick & Hairy doesn't score points for originality. Sometimes very frank sexually and breaking into singing and dancing at one point, usually the proceedings, even the more somber ones, are helped along by an engaging troupe of actors. Especially Tony Leung Chiu-Wai and Ann Bridgewater help keep the soap opera drama buoyant. Amusing tangents surrounding sexual frustration (the character appear as their libidos, by simply appearing in bald caps) and Cheng's character accidentally learning French instead of English gets a neat pay-off. Athena Chu also appears.

Tongs A Chinatown Story (1986) Directed by: Phillip Chan

A US/Hong Kong co-production, this mostly English language gangster tale has a few novelties that you can take in and therefore make yourself endure the generic nature on display but that's about it. Micky Li (Simon Yam) comes over to New York with brother Paul (Larry Tan), who's actually smuggled drugs into the country. Micky tries to attend school but is caught in the eyeline of the Red Eagle gang. When refusing their invitation to join, he's a marked man but along with a few friends Micky becomes a violent force in the Chinatown gang wars...

Against a political backdrop showcased just so we can get an epic sense of the story of Mickey and Paul, in actuality director Phillip Chan (Hard Boiled and the man behind the underrated Night Caller) has nothing to offer but a very uninteresting rise and fall gangster-tale. The New York location work is compelling as well as some of the violence but it's clear the material, as well intended as it may be, has little chance to matter. For me, few tales in the same mold do. Among Hong Kong's bit players from the time, we see Ga Lun and Ricky Yi.

Top Banana Club (1996) Directed by: Anthony Wong

Anthony Wong's second and currently last stint as a director initially seems to go more straight roads, dropping the abstract excess of New Tenant. However, Dayo Wong and Vivian Chow's romance doesn't remain pleasing for very long. Sure there are points here about conversions into christianity but centering its stories around call-in's to the radio show Banana Club (where the principal actors appear in different roles), Wong continues venturing into two more plots, with somewhat of a central theme being relationships. It still becomes so scattershot, self indulgent and impenetrable that you almost begin to sniff out the real reason of Wong's for making this mess. I.e. cast a bunch of your friends in multiple roles and just mess around, throwing in-jokes at us that should've remained that within the circle of friends. If being very forgiving, elements such as Dayo Wong playing a suicidal mom, overdone breast enlargements, re-enactment of The Crying Game and PSA's for wearing condoms may rank as bizarre humour to carry Top Banana Club into entertaining territory. But I simply can't and if this is a look into the mind of one of Hong Kong's finest actors, I think I speak for all that he should remain true to his character-acting, being steered by someone else. Also with Jerry Lamb, Anita Lee, Esther Kwan and Lee Siu-Kei.

The Top Bet (1991) Directed by: Jeff Lau & Corey Yuen

The sequels, spin off's and prequels in this new wave of gambling movies already got complicated by the time The Top Bet came onto the scene. A sequel to Stephen Chow's breakthrough movie All For The Winner, Wong Jing had already sort of continued the exploits of Shing (Chow), and Uncle Tat (Ng Man Tat) in God Of Gamblers II. The Top Bet doesn't mix together two different movies with different characters however and simply continues on where All For The Winner left off. Stephen Chow even shot a cameo to lead Shing onto new adventurers but the trade off we get headlining this vehicle is a terrific one; Carol "Do Do" Cheng.

Cheng plays a conwoman nicknamed the Queen Of Gamblers whose non-powers is quickly revealed by a Mainland gambling magician (Anita Mui) who herself is out to bring down Shing. Everybody become friends however and battles together against Hung Kwung (Paul Chun reprising his villain role from All For The Winner) once more...

Manic, tasteless, thoroughly silly and completely surreal trademark Hong Kong comedy dominate The Top Bet in addition to an action set piece where Anita Mui shines. It's a matter of taste, also a matter of getting used to and perhaps it's better to watch The Top Bet with many Stephen Chow and Hong Kong comedies under your belt. It's my theory anyway but no one can take away the fact that Jeff Lau and Corey Yuen crafts hilarious results from the fast paced proceedings. Carol Cheng's rapid fire delivery of dialogue and spunky presence more than makes up for Chow's absence while the new and returning cast are all on board for the silly antics. A sizeable supporting cast includes Sandra Ng, Shing Fui-On, Kenny Bee, Woo Fung, Yuen Wah, Anthony Chan, Lau Chun, Lowell Lo, Tai Bo, Jeff Lau & Corey Yuen.

Megastar's old dvd edition lacked subtitles for the scenes playing out over the end credits. Thankfully Deltamac got wind of this and rectified the problem on their dvd. Be sure to check out the Hong Kong trailer that contains material shot specifically for it, outtakes and behind the scenes footage.

Buy the DVD at:
HK Flix.com
Yesasia.com

The Top Lady Of Sword (1993) Directed by: Wong Hong

KENNETH'S REVIEW: Kung-fu brothers Au Lung and Wong Hu arrive in the big town only to be looked down upon as country-men, not knowing the new rules of the martial arts world. One of them longs for more power after this judgment while the other has to side with the townsfolk to bring down the deceptive, power hungry force that is now created...

Better than decent wire-fu spectacle from Taiwan that despite its lack of much in terms of funds and star power manages to create a fun, high flying time. Odd dips such as a sporadic appearance by Wong Fei-Hung and greatly annoying side characters doesn't help and truth be told, there's not much dramatic engagement available despite director Wong Hong pushing for it. Action director Chan Yiu-Lun pushes correctly though and aside from some wonky wirework, the mix of grounded swordplay, flying swordplay and a huge amount of pyrotechnics (our evil brother learns to be the master-blaster basically) is enough to warrant The Top Lady of Sword a respectable place within the new wave genre filmmaking it belongs to. Cynthia Khan and Kenneth Tsang appears in support. Also known as Lady Chrysanthemum Sword.

Top Mission (1987) Directed by: Henry Lee

One should assume the entire list of credits Top Mission are bogus but let's assume one aspect is not and that is seeing Filmark managing to get Strongfilm Productions into bed with this cut & paste product. A Godfrey Strong resides in the credits too, adding further unconfirmed rumours that Godfrey Ho jumped between IFD and Filmark or was Filmark. Why it all doesn't matter lies in the end product.

Opening with some crazy editing, instant sex and Kabuki ninjas, the center stage is occupied by gun wielding ninjas Bruce (Kurt Eberhard) and Lester (Alphonse Beni) who needs to go after former ninja-Mike turned terrorist-Mike. Going after the plans for a laser weapon that will buy him his own country (timid goals for this villain), in the other movie a gang of criminals break out of prison to set into motion a hijacking plan for Mike. There's some marvelously over the top dubbing on top of performers looking like they are performing in their sleep and powerhouse emotions from Alphonse Beni during a crucial scene in the middle of the film. One that suitably seals the fate on Top Mission as a portion of sheer badness for the lovers of it. A bit slow going even at the requisite 90 minutes, the standards we've come to expect are still maintained... thankfully. See also if you can figure out what I mean by pirate-emotions on display.

The Touch (2002) Directed by: Peter Pau

So a few years down the line, with virtually every reviewer giving Michelle Yeoh's action-adventure vehicle The Touch thumbs down, it's kind of fun to go in with the lowest expectations possible but expectedly, otherwise ace cinematographer Peter Pau can't provide anything but great, big imagery. Filmed in English, the performing from some of the Chinese cast takes the film down several notches early on as average English dialogue sound even worse in the hands of people like newcomer Brandon Chang. The Western cast, mainly Ben Chaplin and Richard Roxburgh inject as much conviction as they can, which sort of works as this script doesn't reek off A level storytelling. In that way, Michelle Yeoh and company had a marvelous opportunity to use less refined story, grand images and a genuine Hong Kong style to the action.

Well first of all, action director Phillip Kwok doesn't get to do a whole lot and secondly, there's very, very few moments worth acknowledging as Yeoh kicks and fly her way through the fight scenes with dull results at the end of it. Enhancement via wires and CGI become distractingly obvious and the underground fire climax is a blue screen mess that looks more like a video game than anything resembling convincing. Running at least 10-15 minutes too long, The Touch can at best be amusing thanks to some funny delivery by Ben Chaplin but that's about as nice as one can be. A squandered opportunity after Michelle had done so well for herself in the eyes of international audiences (Tomorrow Never Dies, Crouching Tiger, Hidden Dragon). Kenneth Tsang appears briefly.

Buy the DVD at:
Yesasia.com

Touch And Go (1991) Directed by: Ringo Lam

screencap courtesy of Dragon's Den UK

A.k.a Point Of No Return. A middle of the road effort from Ringo Lam and Sammo Hung but that exciting, and frankly rarely mentioned, collaboration is worth sitting through. Lam of course made his name doing gritty thrillers and Sammo Hung himself could churn out more hard hitting action so it's not a far fetched prospect at all. It starts out promising enough with the requisite Ringo Lam-esque mood (complete with a saxophone soundtrack a la City On Fire) and bloody violence. And Sammo, whose character witnesses a murder, does really well for himself in portraying the ordinary man (with a little bit of ass-kicking skill in him) who's reluctant to help out the law when there's no hope or safety for people like him.

Problem is that Lam this time really shoves down the social commentary down our throat and ventures into far more comedy than needed. Touch And Go therefore comes off as competent, both from Lam and Hung's point of view, but a promising prospect does not in the end fully bloom, which is a shame. Also with Vincent Wan, Tommy Wong, Teresa Mo, Lau Kong and Helena Law Lan.

Buy the DVD at:
Yesasia.com

A Touch Of Evil (1995) Directed by: Tony Au

In order to avoid prosecution, Coco (Rosamund Kwan) goes undercover for questionably moral cop Leung (Tony Leung Ka-Fai) in order to bring down drug dealer King (Michael Wong). In the process, Coco falls in love with King...

A rare venture into the gangster genre for Tony Au (Dream Lovers) but not a very riveting one. The mostly unsympathetic character gallery certainly promises to hold more complexities and Au begins delivering that by portraying these as broken, desperate people trying to mend as much as they can via immoral ways. A worthwhile theme that in the end makes A Touch Of Evil interesting but it halts at that. Au gets himself into trouble since he's not very open about his goals and that then creates more frustration than curiosity. Unfortunately he can't get much out of Michael Wong either and any attempts at making him and Coco's troubled relationship integral and affecting does crumble. Kwan and Leung are dependable performers away from Wong though with the former logging a feisty, over the top but admirably complex portrayal for an actress who's not been challenged as such over the years. Kwan Hoi-San, Tai Po and Lung Fong also appear.

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