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Directed
by: Ringo Lam
Written by: Ringo Lam, Joe Ma & Ho Man Lung
Producers: Ringo Lam & Joe Ma
Starring: Lau Ching Wan, Tony Leung Ka-Fai, Amy Kwok,
Emily Kwan, Ngai Sing & Joe Lee
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Nominations
at the Hong Kong Film Awards 2000:
Best Director (Ringo Lam)
Best Actor (Lau Ching Wan)
Best Cinematography (Ross Clarkson)
Best Sound Design
Award at the Hong Kong Film Critics Society Awards 2000:
Film Of Merit
I've always liked the style in the movies directed by Ringo
Lam. City On Fire will of course always be his most famous
film since it indeed is a classic but also that Quentin Tarantino
'borrowed' scenes from that and put into his directorial debut Reservoir Dogs. Ringo's movies has on many occasions
featured a police theme combined with scenes of fairly realistic
and gritty violence and while Victim has those elements,
it also tosses in a supernatural theme. It isn't a fully satisfying
experience but nonetheless a very good and well executed thriller.
One night a parking garage attendant hears two shots on the
floor above. Moments later he is brutally run over by a van
and police is called to the scene. Inspector Pit (Tony Leung
Ka-Fai from A Better Tomorrow 3) begins his investigation
and quickly finds an abandoned car belonging to Manson Ma (Lau
Ching Wan from Running Out Of Time). The surveillance
tape in the garage shows Manson being kidnapped but it's not
long until police are notified where they can find the victim
of this kidnapping. He is said to be located at a hotel, which
is believed to be haunted. After a tense search they do find
a shaken up Manson Ma but his behaviour is very mysterious.
Is it trauma from the crime that was committed against him or
is he affected somehow by the spirits maybe residing in the
hotel? Pit doesn't believe at all in the ghost theory and makes
it his mission to find out what happened to Manson. Slowly the
truth is brought to the surface...

Hong
Kong movies have never steered away from mixing different
elements of genres into one picture but here this mix could've
been more risky to do since it is a straight out serious and
dark tale we got here. Thankfully Ringo Lam is such an experienced
director and he never lets one element dominate the other.
In the beginning parts of the movie, during the search for
Manson Ma, we get to experience a search of the maybe haunted
hotel. Here Ringo brings out all the text book horror clichés
such as thunder and lightning, doors slamming shut, chilling
winds and so on. Your classic haunted house experience basically.
Somehow he manages not to make this scene corny but quite
tense and scary in my opinion. By this point we're already
hooked into the story and that makes us sort of forget about
this cliché ridden scene. Of course clichés
can be done in a good way and thanks to moody cinematography
and nicely choosen camera angles, Ringo pulls this one off.
The directing of the movie itself isn't too noticeable and
the camera does for the most time move in a way that blends
well with the events portrayed on the screen. It is in the
few action scenes that the camera work goes into a more chaos
oriented mode, something I rarely see being done well. It's
purpose is of course to create panic and chaos but you have
to get a sense of where you are and what is going on. Through
good editing and despite shaky cam, these scenes play out
rather nicely and adds a good adrenaline rush after the more
quiet moments in the film. The violence on display is, as
mentioned, pretty brutal but never feels out of place in the
context of the story and it feels suiting for what the characters
in it would do.

The script,
written by Ringo Lam and Joe Ma, is smartly structured and
it's very deliberately slow paced. The mystery is revealed
very sparingly and during the first half of the movie I was
very intrigued about what had happened and what was going
to happen next. I found the pacing to be excellent but I think
some viewers may be a bit frustrated by the fact that the
movie takes it's time to reveal things. While we're waiting
for the truth to be told, the character development is nicely
shown. I will not go into the character of Manson Ma since
it may be ruin your enjoyment of the film and the mystery
surrounding the character. I will however say that I thought
it was well written and well played, which brings us to the
acting...
The last movie I saw Lau Ching Wan in was the wonderful La
Brassiere and there he showed great comedic skills. I
thought that it would be hard seeing him in a serious role
after that movie but my worries were soon laid to rest. Lau
Ching Wan is one of those actors who doesn't need to say much
to reach great heights as an actor. He has, during the beginning
third of the movie, very little dialogue and is mostly seen
acting very unstable mentally. He goes through some changes
during the course of the movie and Lau Ching Wan doesn't seem
to have a problem shifting gears so to say. An excellent performance
that was well worth being nominated or even awarded for that
matter.

Tony
Leung Ka-Fai has never really impressed or stood out in the
few movies I've seen with him. For example, in People's
Hero he played a pretty much straight cop role and didn't
get to do much. I should note that I've never thought Tony
was a bad actor, I just haven't seen him in a more demanding
character role. His part in Victim is a pretty thankless
one. He's the workaholic cop who has almost forgotten about
his family and concentrates only on the case in hand. Nothing
groundbreaking but if you look at the characters place in
THIS story, it works pretty good. Tony gets better and better
as the film progresses and has a few scenes where he shows
nice raw emotion. It's a solid performance and also a memorable
one.
Among the supporting players I liked Amy Kwok the best. She
plays the girlfriend of Manson Ma and her questioning of her
boyfriends sanity is played in a subdued but kind of sweet
way by Amy. Ngai Sing (from Red Wolf) and Joe Lee (from Bullets Over Summer) turns up as bad guys and what
can you say more about them other than that they're bad guys.
Didn't hurt the film in any way though.
Late in this review I'm going to talk about Victim's slowly unveiling mystery again. We as viewers are constantly
trying add the pieces to the puzzle but are never really given
any solid clues as to what is really going on, until late
in the film. When it's revealed I didn't feel the payoff was
as good as I'd hoped. Sure the movie was still fascinating
but I had hoped for something more powerful I guess. The twists
and turns in the plot are at times also a little hard to follow
towards the end. Ringo does leave us with some questions unanswered
but this I thought was a case of letting the audience make
up their mind about the final events of the film.

After Victim had finished I was pleasantly surprised. The
103 minute running time was quite involving and it's a worthy
and well recommended entry in Ringo Lam's filmography.
The DVD:
Mei Ah presents the movie in it's original aspect ratio of
1.85:1 and while Mei Ah isn't known for their stellar track
record, I was very disappointed. What brings the transfer
down is the large amounts of white specks and vertical lines
on the print. Many scenes play out in dark settings and the
specks are really distracting. The print has pretty good colours
and has decent sharpness at times but I know that Mei Ah can
do better than this.
We get sound options in Cantonese and Mandarin along with
Dolby Digital 5.1 and 2.0 tracks for both languages. The original
Cantonese track sounded good to me with music spread out nicely
across the front speakers. The surrounds were used to good
effect also in the more creepy scenes.
The English subtitles are actually pretty good. The font used
is easy to read and there were not a lot of spelling or apparent
grammatical errors. The other subtitles available are traditional
Chinese, simplified Chinese, Korean, Bahasa Malaysian, Bahasa
Indonesian Japanese, Vietnamese and Thai.
The usual crappy Mei Ah extras turn up here. In the Data Bank
there's a plot synopsis (which for once doesn't reveal the
whole movie) and a cast & crew listing. The trailers for
this movie and Wilson Yip's Bullets Over Summer rounds
off the disc.
reviewed by Kenneth
Brorsson
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